stone monkey, on 31 July 2023 - 01:05 PM, said:
Whatever you think of Drill/Grime as a genre, it's still art and I will happily fight you on that regard. So the Met's thesis here appears to be that young black men are, by their very natures, so unsophisticated that it is impossible for them to write and/or perform a song in character.
By this standard, I suppose Johnny Cash really should have been jailed for shooting a man in Reno, just to watch him die.
OTOH:
Quote
[...] Larro Wilson declares himself “one of the true pioneers of drill music”. It’s not a claim without substance. As “founder, director and sole owner of Lawless Incorporated”, Wilson was responsible for the career of King Louie, often dubbed drill’s godfather.
[...] “[Bump K's] stories weren’t just stories, they were reality. I watched him rise, but also experience bad times. It got so gangster, the industry got scared and closed up to that for a minute.”
[...] While his sonics and presentation predate drill, he shared its tendency to blur the line between criminal content and behaviour. “Cause every line that I put up in a rhyme is real,” Bump J proclaims on “Move Around”, preemptively inaugurating drill’s trademark rhetoric.
In 2008, Bump J was imprisoned for ten years for armed robbery and was dropped by Sony before the release of his debut album. He would miss drill’s arrival by about 18 months.
[...] “It wasn’t about the beat, that came later. It was just the realness of the message,” Wilson says. “It wasn’t about flow or lyrical skills, either. Artists rapped about things they had caused, witnessed or were involved in. It was the purest street rap imaginable. You were judged on how real you go.”
[...] He claims its ultimate goal is vividly illustrating criminal activities whilst withholding any specifics that may risk helping authorities. [...]
[...] Zone 2’s “No Censor” is one of UK drill’s landmark moments – and also perhaps the most extreme incarnation of the kind of “name-dropping” that Wilson condemns. [...] catalogues the Peckham clique’s dead gang rivals, with each name accompanied by a Mario-style “one-up” sound effect as well as the gruesome details of their alleged murders.
The Secret History of Drill (vice.com)
Of course if they say 'my lyrics describe what actually happened, literally' that could also just be part of the performance... most of the time?