Luv2B_Sassy, on 29 July 2018 - 08:15 PM, said:
and RJ's less predictable take -- bursting with ideas and personality, if not all successful (looking at you, police/space-horse chase) and frankly thematically more interesting than any of the previous movies -- was also the right choice for Ep VIII.
Let's be clear. And you may not realize this, but if TFA was a rehash of ANH, then TLJ is a rehash mangling up of TESB and ROTJ. It's predictable, and not remotely "bursting" with ideas. RJ is on record as saying that his idea for the story came because he could envision a few of the sequences in his head, and constructed the story around that. It also features an ending that rips off another movie (from another genre) to such a degree that it cannot be considered coincidence, but we'll get to that.
I will preface this by saying that the Crait sequence, was originally at the beginning of the film in the initial script (Jan 2016 rewrite was designated by the powers that be because it was too close to the beginning of TESB; Hoth).
So, in your "less predictable, ideas and personality" take we have:
-Crait/Hoth battle with trenches, walkers, and a white surface planet that RJ even has to use the script to say "This is Salt, not Snow"
-Main cast trio splits to do separate missions, Rey/Luke goes to Dagobah/Ach-To to learn from a former Jedi Master Yoda/Luke, only to encounter a being who is not what they expected.
-Jedi Master Yoda/Luke refuses to train the newcomer Luke/Rey for stupid reasons; Luke is "too old, and rash" Rey is delusional and the Jedi are bad. But relent.
-Dark Side Cave/Dark Side Cave sequence with confrontation with your darkest inner fear, No Parents/Vader Father.
-Jedi Student goes rushing off to confront the bad guy Kylo Ren/Snoke/Vader/Emperor when their training is incomplete.
-Main Mission with the rest of the cast features a chase through space with the far greater threat Imperials/First Order, chasing the lesser one Rebels/Resistance.
-Part of the good faction decides that it's a good idea to help escape the chase by enlisting the aid of an acquaintance in a relaxing setting Canto Bight/Cloud City, and think they are getting the help they need until the acquaintance betrays them; Lando/DJ to the Imperials/FirstOrder who take them prisoner.
-The Throne room scene is not just a narrative copy of the one from ROTJ, but RJ still actual lines of dialogue from the Emperor and placed them in Snoke's mouth as well. I'm not sure how that passed goddamned muster, but here we are. We even get the same notion of the apprentice Vader/Kylo Ren, killing their master Emperor/Snoke in an attempt to save the third party Luke/Rey. It might seem a cool fresh scene on the face of it, until you think about it for two minutes and realize what a copy it is.
-And here we get to the other cribbing. The end with Holo-Luke VS Kylo Ren is almost a shot for shot steal of the ending of ESCAPE FROM L.A. with Kurt Russel (90's sequel to ESCAPE FROM NY). Like I could not believe how much until I watched both sequences.
So any feeling that TLJ is in any way new, fresh, or doing things to push the story forward, falls on deaf ears with me.
Luv2B_Sassy, on 29 July 2018 - 08:15 PM, said:
His movie is no less embedded in the past of the franchise, but more than most he saw the potential for unique and interesting storytelling with these characters, new and old.
Here's the problem with that. RJ treated these new characters horribly as well. Aside from everyone REPEATING the character trajectories they already completed in TFA, Finn is the worst treated by that. He spent TFA going from FO Stormtrooper, to reluctant ally, to Resistance operative, to good friend and solider. He spends TLJ doing the same thing, just with Rose...and Rose spends the movie 'splaining slavery and war to the guy who's been a literal slave his WHOLE LIFE...to a war. Rey's agency is entirely robbed of her for nearly the whole runtime. Leia was placed into a "convenient Coma" so that RJ could pound out his plot with Holdo that says "Don't do your own thing, obey orders blindly and don't question me"...<----this is SO glaringly bad in fact that Disney ordered the comic version to fix this point by having Holdo do something she didn't do in the film, tell Poe she DID have a plan.
Luv2B_Sassy, on 29 July 2018 - 08:15 PM, said:
It's frankly up to JJ not to screw up this rich and rewarding setup RJ handed him, by reverting back to simple, inert 'chosen one' fantasy cliches.
See, here is the stumble. I agree there is no reason to revert to Chosen One fantasy cliches...but what exactly do you think that "Darkness will rise and light to meet it" that is prevalent in both films IS exactly? If not a Chosen One Cliche, just on both sides.
These movies could have found their conflict in nearly ANYTHING. But both JJ and moreso RJ defaulted to the same old same old. Just rebranded. And worse TLJ serves no purpose, and does nothing to further the overall narrative, beyond the fact that they replaced the lead villain with his underling. Everything else is in the same position as it was at the beginning.
I wanted NEW things. I got Empire 2.0 VS Rebels 2.0, with a new cast and the old cast swept away like so much detritus.
And now JJ has to actually SET up a new conflict in the final film (this was RJ's JOB and he ignored it)...because otherwise IX is basically Rey VS Kylo, Redeemed or Killed.....woohoo, very exciting. I guess? The middle film is meant to up the ante...TLJ regressed it instead in favour of some weird bunch of indie-vibes diatribes about bad and good, and Reylo, and umpteen other philosophical garbage points.