Posted 28 August 2010 - 09:51 PM
					
					
					
						I still remember the first time I looked at GOTM in Avon, Indiana on  July, 16, 2005.  How (and why) do I remember this?  Because I saved the  receipt.  I look at it often, actually, to remind me just how far I and  this series have come, and how much it's meant to all the people that  have read it.  I always enjoy talking to friends who like SF & F but  who've never heard of the Malazan series.  I always smile a little on  the inside at the fact that while I want the series to be a household  name that everyone associates with the genre, I enjoy being in a select  group of people who've had the privilege to read, share, discuss and  debate in detail the greatest fantasy series in our generation.
For so long, I looked at Glen Cook's Black Company books and said 'Geez,  these have some of the most complex, continent-spanning stories I've  ever read; if someone ever decided to fill in the gaps those books would  be absolutely perfect, and like 500 pages.'  Let me explain what I mean  by this.  Glen Cook's stories, in my opinion, were great at showing the  muck and grime of the soldier's lives (as is well known and  documented), but Mr. Cook didn't go into great detail about what  actually happened in battles and over the years.  For example, epic  battles might be summarized in a few pages, and Croaker and the gang  would travel great distances in only a few paragraphs.  In the Dread  Empire series, Bragi Ragnarson orders armies of men about and  orchestrates campaigns that the audience only gets to see snippets of.  I  thoroughly enjoyed this because so much happened in a modest amount of  pages, but the books focused on the macro-level sometimes.
So, in short, I was looking for Glen Cook meets George RR Martin.   Though some may respectfully disagree with me, that's exactly what I  found in the Malazan Book of the Fallen.
97 percent of the characters all have back-stories; detailed, in-depth  and complex back-stories.  Stop and think about just how many characters  there are in this series.  And each one is as well thought-out as most  main characters in other novels.  Though its already been said, it's  true that every city, ruin, bridge, tree, object and person, is explored  so thoroughly that by the end of the story you have a complete picture  of who that person is (although many back stories are cleverly hidden  until the time is right--for just the right amount of mystery).  For my  money, though the story is epic on a scale that I've never seen before,  it's the characters that make this series so enduring.  How can you care  about a character unless you know where they come from, what they care  about, what they disdain, and what they love?  And Steven Erikson has  given us some of the best, most admirable, and most deplorable  characters ever.  Think it's easy to run an army, look at Adjunct  Tavore.  Think its easy to kill a man and not be the same, look at  Crokus.  Think it's easy to defy destiny, look at Karsa Orlong.  I could  go on and on, but this is truly why the Malazan series just can't be  topped.  When gods, whose motivations and flaws stretch back eons, clash  with mortals who will stop at nothing to survive, how can you help but  read?
And that's also why I laugh when I read so many negative reviews of the  series from people who complain that they couldn't follow it because  there were too many characters or place names, or that the series was  too slow, or didn't answer their questions all in one book.  I laugh  because that's precisely why we love this series.  We haven't  been spoon-fed the answers, we've had to figure them out for ourselves,  had to track the plots of gods and men and see the worst and best of  them both.  People nowadays want their heroes complex, but few in  number, strong, but flawed, and only the Malazan series has given us  heroes, villains, and those shades of gray in between like none other.
And for that I truly thank Steven Erikson.  He didn't re-invent the  Sword and Sorcery genre, but he took it to a depth and a realism that no  one has done before or since.  Only a great man can take a story that  spans millenia, with a cast of hundreds, and craft it so well, so  quickly and with such dedication to the people that read it.  Imagine  him, thanking us, and the humility it takes to do that.  He did the  work, and we just sat back and enjoyed a ride that spanned more than a  decade in our world, but a thousand lifetimes in his.  Thank you for the  ride.