I said I wasn't going to chime in...but now I feel like I should at least bit.
polishgenius, on 03 July 2017 - 05:46 PM, said:
Seduce Goose, on 03 July 2017 - 04:52 PM, said:
First and foremost, it's a cartoon. It's made for kids and it's meant to be funny.
I give a fuck about his kids. Or, heck, just random kids who pick up the wrong message from the film.
I think I can guarantee you that the demographic for this film, young kids, did not and would not get the wrong message from this film. They won't see the societal parallels that some of you all are ascribing it. They saw a film about an anthropomorphized animal kingdom all of whom have learned to fight against their various earlier natures (earlier natures which largely parallel what
animals are like in our world today) before they established a civilization, being ravaged by a drug-induced savagery.
I mean that’s it. They won’t read into it like you have noted they might.
Let’s think about a few past instances.
Is every girl who watched BEAUTY & THE BEAST going to get the wrong idea that Stockholm Syndrome is a good thing?
How about THE LITTLE MERMAID…doesn’t it technically preach that if you aren’t comfortable in your own skin that you can change it, but you have to make a deal with a devil and sacrifice to do it? All for a man?
Did the SMURFS give the wrong message about xenophobia, or that magic practitioners are all evil?
Early Looney Tunes are very much about race…but do you think that anyone who watched it as a kid saw ANY of that?
This isn’t about taking down to kids, or assuming them stupid….it’s about what they take in at that age from a given narrative, and how deep they will go beyond the surface narrative…which is not much. I can list off a string of films I watched as a child that I missed ALL the context that adults would have gotten (which I noted upon adult re-watches). It’s not that kids are hard-wired to be stupid or anything, it’s that they aren’t yet entrenched in analytical dogma of society at a level where things like subtext permeate the shiny, colourful veneer of a cartoon. Their world is simpler.
worry, on 03 July 2017 - 07:55 PM, said:
I said this before in my initial post after watching it, so forgive the repetition please: the perspective of Zootopia is a world in which the White Man's Burden has been successfully fulfilled, and now something is threatening to "revert" predators (aka minorities) back to their "natural state" (aggression, violence). It's all about imposing white comfort on others, and self-congratulations on "civilizing" everyone else. Frankly I'm not sure how you can glean any other message from it, since it is very explicit throughout. They use the word "savage" constantly, I'm surprised they had the wherewithal not to say "phrenology" and "eugenics" out loud too. They really couldn't have made it any clearer that herbivores are inherently more civilized and predators are inherently less evolved, and left unchecked threaten the fabric of society. The hero, of course, is a cop (and her informant) -- as tone deaf as it was, even the Kendall Jenner Pepsi commercial recognized that the cops were the potential aggressors, had the means and the will to do real damage. Zootopia argues that the threat is just a large swath of the population that has the genetic predisposition to turn savage at any moment.
I guess I'll make this simple. You've gone and assumed that the message is about a NATURAL reversion to a previous "savagery". It's not. Even a little bit. And it doesn't even affect the whole predator populous, not yet. And let's be clear...the predators are very much as civilized as the prey at the start of the film (and the end)...evidenced by Fox and Bunny being friends, or that a Lion is mayor, and his underling sheep is prey. To indicate that this is otherwise as you have, means you saw what you wanted to see, and not what was presented or implied.
The film is about the Predators and Prey living in late-state-civilized-harmony until something starts to turn the Predators back to their more savage roots. That
something is discovered to be a drug called Nighthowler. It is discovered over the course of the film that a member of the Government (Bellwether), VIA the mob, has been inserting the drug into the populous to get the predators to revert to their earlier more instinctual forms. This is done so that Mayor Lionheart and all his predator kin will be looked down upon and feared by the populous, and then a non-predator (Bellwether) can gain the office in charge.
If you wish to ascribe this the correct societal allegory...it is literally an allegory for the crack cocaine epidemic in the 1980's, and the notion that the government themselves (The CIA) may have inserted the drugs into the black communities to promote fear and racism, and so push them down the humanity totem pole in the view of white America.
So yeah, the film is about race and racism and supremacy and conspiracy.
But not at all in the way you seem to be indicating you viewed it.
It's actually about Disney saying that they believe that YES INDEED the crack cocaine epidemic of the 1980's
was white CIA members pushing drugs into black communities to keep them down, and spike homicides. Something that is still disputed today...but this is the position that Zootopia and Disney took...that they believe that white people in charge, kept black communities down by pushing addictive hard drugs (drugs which make people unpredictable and often violent) into them.
And in ZOOTOPIA, in the end it's a drug-induced, and nefarious blip on an otherwise happy civilization who seem to go back to that after the fact, with predator and prey (Bunny & Fox) becoming partners, and a Mayor Predator who is still in charge, and now even more respected.
And that's how I saw it.
"When the last tree has fallen, and the rivers are poisoned, you cannot eat money, oh no." ~Aurora
"Someone will always try to sell you despair, just so they don't feel alone." ~Ursula Vernon