Posted 17 December 2018 - 12:50 PM
The best comics I've read this year, which I list here, but also go through them below. My tastes tend to pulp more so than literary, so many great comics I read this year which were more literary is probably not going to make this list (something like Brazen, for example, or the Strange or Why Art?). Anyways the list is Head Lopper, Prism Stalker, Immortal Hulk, Black Hammer, Sleepless, The Wild Storm, Sword of Ages, Coda, Domino, Giant Days, Daredevil, Eternal Empire, the New World, Redlands, and, Mighty Thor/Thor.
Here's why:
Head Lopper is a classical sword and sorcery series on its third 'book' by Andrew Maclean (writer and artist), and Jordie Bellaire (colors), and its probably, for my money, the best sword and sorcery story of the last decade in any medium. A large part of that is the art, Maclean is somewhere between Mignola and Herge in terms of style--it's clean and expressive, but can often dip into a Mignola-style moodiness if the scene demands it (he also works with shadow very well). The story itself is pretty standard but overall well executed. Rampaging barbarian hero called Head Lopper, and his sidekick who is a caustic blue witch head, go from story to story, from people to people, have adventures, often violently. Its fun and funny and tickles that vibe a lot of fantasy, outside of say video games and table top rpgs, don't really got for anymore.
Prism Stalker is a magical girl biopunk story that is heavily focused on issues of colonialism, identity, and how those things interact, and is written, drawn, and coloured by Sloane Leong. This is probably the best looking book I've read all year, the use of colour, character and world design, and trippy visuals combine seamlessly with the story it's trying to tell to create a complete experience that is often missing from comics (or at least, American comics). The story and world is sparse in terms of worldbuilding in the way Malazan is, the world is drip fed to us, and while by the fifth issue its still not all the clear it doesn't really matter because we know what we need to know in terms of the main characters relationship to other characters, both individually and in terms of identity. Over all probably my favourite book this year.
Immortal Hulk is by Al Ewing, Marvel's best writer, and mainly drawn by Joe Bennett, with a number of other artists filling in. This book is probably Marvel's best book in a pretty strong year overall in terms of interesting ideas and interesting executions. It is mainly talked about, in the media, as a horror book, and while it definitely is that, mainly body horror, it is also deeply tied to Hulk comics of the past, pulling in stuff that no one has thought about in like 50 years, which is awesome because one of the reasons superhero comics are so interesting is that they have these deep wells of stories to draw from that entirely new interpretations can still be connected back to those who came before. It's how I imagine oral culture would be like. Anyways the book is great overall, has a strong thematic throughline (duh, its Ewing), and amazing art that demonstrates the horror and terror of the hulk extremely well.
The Black Hammer books are written by Jeff Lemire with the main series primarily being drawn by Dean Ormston, and the various spin-offs being drawn by a number of great artists and the best I could describe it is if you combined a Jeff Lemire book with golden age superheroes. It was a weight to the stories it tells, not only because it is Jeff Lemire, but also because it utilizes the various golden age super powers as potent stand-ins for emotional or physical problems. I don't have much to say outside of if you're interested in golden age superheroes I highly recommend these books.
Sleepless is a fantasy court romance from Sarah Vaughn and Leila Del Duca. This is probably one the most well done romance books I've read in a long time, maybe ever. The fantasy trappings around the book are small, more mysterious than flashy, but are utilized in such a way as to heighten the romantic drama between the various players at any given time--Sarah Vaughn has a very good control of pace in terms of writing. The art is, as this is a trend here, great, and I'm somewhat taken back by Leila Del Duca's ability to go from something like Shutter, which is wild and crazy, to this is much more muted, both in terms of the what is being depicted, and in scope. She handle's both scales extremely well. If you're looking for a court romance with light fantasy elements highly recommend.
I'll continue this later I have to go to work, but overall 2018 has been a great year for comics, both starting and returning.