There will be spoilers for The First Law trilogy and Best Served Cold in this thread.
SPOILERS
Let me just preface this discussion by stating that there is of course such a thing as taste and preferences. The fact that I dislike or disagree with Abercrombies choice in story design is as much a flaw in my perception of what a good story as it may be a failing on Abercrombies part. God knows, it’s a mad world where Transformers is not lauded as one of the best movies of the past decade.
I was thinking of making this thread when I finished The First Law trilogy last week. I hesitated because I honestly had nothing good to say about Abercrombies stories at that point. I made a few posts in the Reading at the Moment thread about my disappointment and was ready to dismiss Abercrombie all together. Then I finished the final book “Last argument of Kings” and I was positively surprised. It was a great ending. It couldn’t fix all the inbuilt faults in the story and there was some clumsy shit in there, but overall it was a great climax and wrap up of the three books. Most importantly it had one of the best “last few pages” to see the reader off. It made me want to immediately read more from Abercrombie, which in and of itself was a herculean effort on the part of the writer, considering my disgust with the way the series is designed.
I just finished reading his fourth book “Best Served Cold” which is, I think, one the best stories I have read in the fantasy genre (all though I don’t even want to call it fantasy, but more about that in a second). It’s a big and romantic tale of vengeance and betrayal, love and war. I think this could be one of those books I could point to in ten or twenty years from now and call a classic. The only real problem I have with the book is that the stupid magical boogeymen from The First Law sneak into the book and ruin what could otherwise had been a perfectly designed cast of good and bad guys that can play off each other in a believable fashion. We went from, yes, this sounds logical to... but if they are superhuman then why bother with Kings or Queens?
And now we come to my big issue with this world that Abercrombie has built. The other lack of logic and the extremely unimaginative structure that lies behind the history of this place.
But before I get into the meat of the things I need to make a small rant about one of my least favorite fantasy trends. This is yet another book in a long string of books I would call “minimalist fantasy”, I don’t know if there is an actual genre named for this trope. Like the Song of Ice and Fire and many other modern fantasy books, there is very little of the fantastic in these books. There is next to no magic in this world, except for some cryptic individuals who keep their cards very close to their chests and some second rate orcs, this might as well be a story that took place in our Europe somewhere between 1200-1600, for all the similarities there is between this world and our own. I hate this kind of fantasy universe. They are boring and strike me as being more unimaginative than realistic. I swear both the fantasy writers and their readers have a chip on their shoulder. They so desperately want to be taken serious by the broader literary world and do what ever they can to look adult and deep and dark and gritty and in the process lose everything that makes fantasy fun. Let’s be honest here, fantasy and sci-fi is the greatest form of escapism we have. Sure, fantasy can also be used to make observations about our society by twisting our societal issues, hopes and fears, into something abstract that can be observed from a different angle but really, fantasy is escapism. It’s supposed to be an adventure. A trip into a different world. To a new land. With strange skies, foreign lands, odd civilizations and unknown properties. Anything is supposed to be possible. Behind the next hill could be a dragon or a giant. Under the sea could be a kingdom of slithering terrors.
And yet most of these modern works refuse to stray further from the world we know than that there is some guys who know mystical shit and once upon a time there
may or may not have been some gods. I don’t see the point of even writing stuff like this. Why not just forgo all pretenses and just place the story in Europe and call it alternative history story. What ifs. I mean, we give the likes of the Sword of Truth a lot of shit but at the least some crazy shit happens in these books. Magical beasts roam the countryside, sorceresses ensorcel (I swear google doesn’t even know how to spell that word) whole kingdoms, evil mages blow holes through armies, etc.
Anyway, that’s neither here nor there. It’s not a fault to want to write minimalist fantasy. How ever when that taste in the genre actually seeps into the worldbuilding and from there into the story, it becomes extremely frustrating.
So lets get to it. I think the First Law trilogy is absolutely shit. Even ignoring the extremely dissatisfying and predictable storylines that end both the first and second book, the actual worldbuilding behind the stories are terrible. It got so bad in the second book that I would have stopped reading if I didn’t have a masochistic need to finish a story no matter how annoyed I get.
THE POINT OF NO RETURN
SPOILERS SPOILERS SPOILERS
HERE IS WHERE I GET INTO BIG SPOILERS FOR THE BOOKS. YOU HAVE BEEN WARNED!
SPOILERS SPOILERS SPOILERS
I might get a bit ranty here. Bear with me.
Once upon a time Euz, a demon, walks the earth, banishes all the demons and creates the divide between Earth and hell. He has three or four sons… I think it was and for some reason decides to only give gifts to two or three of them and the last one gets nothing. That was pretty mean. Anyway, afterwards the other brothers are greedy assholes and refuse to share with each other or the one who got nothing.
This leads me to my first issue with this story. Why the fuck are everyone such immeasurably dickish to one another? Is the stars aligned in such a way that upon this earth everyone is a c**t at least 50% of the time? Seriously here. I love when an author builds in flaws in the characters but from the very beginning of the universe, not a single character in the entire series seems capable of thinking two steps forwards or using diplomacy instead of fucking other people over.
But okay. What ever. Be that way. Dicks.
However Bayaz, the guy the entire series revolves around, is himself a giant asshole. Like holy crap. Even before we start to get suspicious in the first book. Even when the full breadth of his assholery is truly revealed, I was impressed with how big of a dick this guy is. It’s not just that he is figuratively a walking avatar of the snake in Eden, that he destroys everything he comes near if he can use it. It’s the way that he doesn’t seem to have a single drop of empathy left. His arrogance is so humongous that it leads to him coming off not just as a dick but also, a bumbling bufon. For the apparent depth of his knowledge, for all the planning he and his associates have done, he comes off as surprisingly ignorant at times. I can already hear the counter argument now "But Apt that is just a flaw of being a thousand years old, you grow tired of mortal minds" but this is bullshit. We see that Bayaz is capable of being deceitful. Of manipulating. So I dare say, he ought to be a heck of a lot better at this business than he comes off as. I mean, already in the first book I had him pecked as being a bad guy. This is a flaw in character design.
Which is where the wheels of this books carriage came off when I was reading and my disbelief ruined the enjoyment of the books.
There is a giant flaw somewhere in the structure Abercrombie builds the stories around. Either there are things about Bayaz and the “banks” that he hasn’t properly explained or there are giant holes in the logic behind the actions of the wizards and their pawns.
I’m just going to start listing all my concerns with the world building here.
My first question would be this: What is Bayaz? Is he a human being? If he is a human being how is he so long lived? We know that the Eaters sustain their health and power through consuming human flesh (which by the way is really fucking weird, surely there is more to it than that right? Otherwise there ought to be splinter sects all across the continent with superhuman cannibals) But how does Bayaz sustain himself? How he gets the magic is never properly explained. It seems to be like touching saidar in the WOT but if this is the case why does an apprentice need to study books? And why aren’t there any natural mages that pop up in the wild. And why aren’t the Eaters using magic like Bayaz does or can? From his talks with that desert mage it sounds like originally wizards didn’t have to draw from the other side? Then where did it come from? Why is the magic leaving the world. Why is this not affecting the Eaters? Why doesn’t this affect the demons?
How does Bayaz know so much and so little? At times it seems as though the wizards are precognicent or have a degree of omnipotence. This is the only way it makes sense that they are able to arrive at certain points or know where or how certainly people will be or behave. It is possible that Bayaz and his companions are telepaths like the Eaters, though it is never demonstrated, how ever this still doesn’t explain some of the stuff they pull off like tracking down Ferro in the desert. All the planning or psychohistoric understanding and analysis (to borrow an Asimov idea) would not explain all that Bayaz does in the three books. And yet, at other times, Bayaz come off completely ignorant. The most important one of these times being the hunt for and failure to find the Seed (which by the way is one of the worst story quests ever).
It is in these moments where Bayaz shows weakness and confusion, that the narrative that Abercrombie builds and finally unveils the complexity of in the last book, unravels. The Kaiser Soze moment does not really impress me when I have just read 2000 pages of Bayaz bumbling across a countryside. It is not believable that Bayaz and only one or two other wizards control an entire continent if they have really grown this weak. So either there is actually hundreds of wizards, or they are precognicent. It’s one of the two.
The real issue I have with the entire series, and I am in danger of repeating the discussion in the “Codex alera” thread here, is the Eaters vs Bayaz and co. The threat of the Eaters is so ridiculously imbalanced that Bayaz and the Union should never have even an inkling of a chance. There are, or where, at least 100 Eaters sent to the Union to help bring Bayaz to justice. I have to assume that there are probably hundreds more of their kind scattered across the history of this world that we have yet to know about, like Irisi and Shenkt from Best Served Cold.
Why on earth would you ever bother with installing mortal kings in kingdoms, or sending tens of thousands of soldiers to fight your wars, if you were but one of hundreds of immortal killing machines? The structure that Bayaz has built up makes sense, if all it was about was controlling mankind and leading them in directions he likes, but against an empire of superhumans it makes no sense. One single Eater could walk into any single castle, any courtroom, any military tent and kill any human they wish. Why fight the Union with an army, when they could just make a surgical strike and kill every Lord and officer in a day or two. With no leadership the Union would fold like a house of cards.
Furthermore, from what we saw in this series, Bayaz himself, is no longer the equal of but one Eater. Not unless he got some kind of upgrade in Ardua when he did what ever it was he did with that nuclear tornado. He is weak, frail, tired, slow and dumb. Just one of the Eaters could punch him into pudding before he even had time to think of touching the other side.
There was so many times during the story that all these inconsistencies clash and made me angry. Why do they all just go along with everything Bayaz says and does? Why don’t they ask the right questions? Why doesn’t Bayaz notice how incredibly jarring the difference of the behavior in his apprentice is? Why didn’t anybody just chop off Fenris the Feared’s arm and leg off and then split him down the middle? If Bayaz wanted Jezal to be the king why didn’t he give him some actual training? If the Union is Bayaz tool against the empire then why does he allow incompetence and greed to rule the Union? Why didn't Bayaz and co. give warning that the Gurkish were comming so that the Union could prepare its defenses?
The answer to most of these things are of course, failures in human thinking, weakness in human behavior, colossal arrogance, which I would say is a theme that all these books revolve around. But it’s, in my opinion not good enough. The pieces do not fit. The logic is flawed. I realize that this was the first works of a new author and undertaking such a project might have been a bit too much but it bothers me that there was never any editor or proof reader that called him on these glaring inconsistencies in the overarching narrative. There is nothing wrong with the pieces that he designs. His writing is in my opinion quite good and only improves from book to book. But the full picture that the reader is left with is a mess.
Oh and the story itself was atrocious but meh… that problem sort of pales in comparison to how disturbingly brittle I find the worldbuilding.
This post has been edited by Maybe Apt: 14 January 2014 - 11:01 PM