polishgenius, on 08 March 2013 - 02:52 AM, said:
Orlion, on 08 March 2013 - 02:14 AM, said:
This means that RR is probably going to fulfill a sort of comedic role. So, if done right he might be like Gimli... if done wrong he would be like Jar-Jar.
Yeah, but comedic doesn't mean he can't also be awesome... Look at Jack Sparrow. Or Reepicheep, perhaps the closest existing character to Rocket Raccoon on screen and probably the only bit of Prince Caspian that could be said to have actually worked.
I suppose the question is whether or not the audience for Narnia would be the same as for Marvel. I mean Narnia in general, never saw Prince Caspian but Reepicheep himself was one of the better characters in the book, in my opining.
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As far as Yoda, the problem arose when they decided to have Yoda become an action hero and not the dignified (if muppety) Jedi he was in ESB and RotJ. It just looked ridiculous to many people (though to be fair, it was not a deal breaker for those same people).
I think you're the first person I've come across who doesn't think Yoda showing his skills was one of the saving graces of the PT. And bear in mind that the notorious difficulty in the real actors interacting with CG elements that plagued Star Wars has, on all evidence so far, been far better handled by Marvel.
Different crowds, I suppose. I've never met anyone who did not view those scenes with mild disdain. Though once again, as I tried to imply before, it did not stop them from spending money on it.
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It was no longer the actual Norse Gods, just an alien race mistaken as gods when they visited Earth a while back. Thor being turned essentially human throughout most of the film also helped the audience relate.
The purely magical aspects might have been played down a touch but I don't see how they weren't still meant to be the actual Norse gods. Immortal beings with magical powers who live in another realm called Valhalla that doesn't actually appear to be a planet? I'm not that familiar with the Thor mythology in the comics, but from what I've read I don't see how what they did was a massive departure, apart from the physical transformation into Donald Blake.
Off the top of my head, in the intro where they were showing the war against the Ice Giants, you had a person wearing the Loki costume. Obviously, that could not have been Loki (he was just a wee Ice giant then), so there seems to be retirement or death or whatever for specific roles. At least two different people have filled the 'Loki' role in this embodiment, and I imagine (though I am far from certain) someone else was 'Thor' before Thor. We know from the movie that he was still a wee-Valhallan when the gods had (allegedly) last visited the Earth. So they are long-lived/outside of time/insert whatever generic sciencefiction explanation you want here.
But that hardly addresses the actual point... it just wastes your time, mwahaha.
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Can 'kooky' ideas be turned into good films? Perhaps. But the more 'out there' an idea is, the harder it is to make into a final product the general audience will be willing to pay for. And this idea has been one that has been hard to sell to the normal comic book audience.
I think you're seriously overselling how seriously people take superhero movies, or at least how seriously they feel the need to do so.
*shrug* Everyone has a breaking point for their "suspension-of-disbelief*. And a lot of that has to do with expectations. Just because they'll suspend disbelief for the Hulk does not mean they'll be champing at the bit for a Howard the Duck remake (random example, only tangentially related to Rocket Raccoon, whom I think has a much better chance at being accepted than Howard).
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Haha, well I didn't wanna be mean about it, but it all sounds invented, particularly "The character itself can not be taken completely seriously by the general audience Marvel Studio has." This wasn't exactly an issue addressed on the latest census, I don't think. It's logical in the sense that it's a conclusion you can fairly draw from givens you've invented for the sake of ]self-debate entirely self-contained in one's inner monologue.
In one word, that's called speculation. You get a lot of it on the board, from what Erikson could have meant, why more people don't like x, y, z, why do people have trouble with Gardens of the Moon, etc. etc. Of course we are going to bring our experiences with how people we know respond to certain things, and of course little (I'll say none) is traceable back to peer-reviewed scientific journals. My idea is that the Marvel movies, making as much money as they do, probably have a much broader audience than, say, Watchmen. The speculation comes in where one speculates as to what will alienate a portion of that audience and what will not.