Dragnipurake, on 29 February 2016 - 04:31 AM, said:
my take is Andarist completely believes in Mother Dark, Anomander has doubts (hence the white hair) and Silchas Ruin does not buy into it at all. The former edur slave (can't recall the name) muses on this in Reaper's Gale.
Udinaas. Here are the passages you're thinking of:
"What did Clip tell us? Oh, right, nothing. But we saw the tapestries, didn't we? Andarist, like midnight itself. Anomander, with hair of blazing white. And here, Silchas, our walking bloodless abomination, whiter than any corpse but just as friendly. So what caused the great rift between sons and mother? Maybe it wasn't her spreading her legs to Light like a stepfather none of them wanted. Maybe that's all a lie, one of those sweetly convenient ones. Maybe, Seren Pedac, it was finding out who their father was.'"
"If Silchas Ruin is all Light on the outside, what must he be on the inside?"
Google Books (free, legal) preview:
http://tinyurl.com/hg8e6hv
(They're also speculating about it as myth---how people tend to construct myths involving threes, how myths present structures of contrasts. The three brothers are likened to the three sisters: Menandore - dawn, Sheltatha Lore - dusk, Sukul Ankhadu - night ("Myths prefer manageable numbers, after all, and three always works best. Three of this, three of that"---against the backdrop of the Edur's mythic falsification of history, or at least Udinaas's skepticism about myths).)
So Udinaas barely knows anything, and he doesn't really say what you suggested. But there's probably some truth to it; "Maybe[...] it was finding out who their father was" reminds me of the major early scene in FoD where Silchas wants to see what's written on the inside of their father's tomb, Andarist is strongly against it, and Anomander tries to mediate between the two. I think you're probably right; in FoD, the transformation of Anomander's hair is described as more striking than the transformation of their skin. Mother Dark iirc essentially counsels looking inward, introspection----Andarist accepts this and lives this most fully, Rake is conflicted, and Silchas at least initially is the least introspective and (in FoD) barely seems to change at all. Also, FoD connects the change in color with "purity"... the High Priestess thinks she's cast out because she's impure, and that her white skin is a mark of that. "Pure was Anomander's black skin, and pure silver his long mane"---but here's an issue, contrary to what the tapestry shows, Anomander's hair isn't "white"---it's silver (which could allude to the moon---though I can't recall offhand whether Erikson associates the moon with silver, it's a common literary trope).
This post has been edited by Azath Vitr (D'ivers: 29 February 2016 - 05:07 PM