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The Red Dwarf novels by Rob Grant & Doug Naylor Among the finest tie-ins ever published

#1 User is offline   Werthead 

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Posted 09 July 2011 - 02:15 PM

Book 1: Infinity Welcomes Careful Drivers

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Mimas, 2180. After an epic all-night bender in London to celebrate his 25th birthday, Liverpudlian slob Dave Lister wakes up a billion kilometres away on one of Saturn's moons with the mother of all hangovers. Desperate to get home, Lister hits on the plan of enrolling in the Space Corps, getting a job on an Earth-bound ship and then going AWOL the second he gets home. Unfortunately, the only vessel that will have him is the city-sized Jupiter Mining Corporation ore-hauler Red Dwarf. And before it gets back to Earth, it's going all the way to Triton on a job. So it will take Lister four and a half years to get home.

Driven to distraction by his mind-bogglingly anally-retentive bunk-mate Arnold Rimmer and heartbroken by a doomed romance with navigation officer Kristine Kochanski, Lister hits on a plan: by smuggling an unquarantined cat on board and getting caught, he gets condemned to spend the rest of the trip in temporal stasis and forfeit four years pay. Unfortunately, whilst he's in stasis, the Dwarf's fusion reactor unleashes a deadly radiation pulse which kills everyone. The ship's AI, Holly, takes the Dwarf into deep space and waits for the radiation to die off before reviving Lister...which takes three million years. Lister awakens to find his only companions are a holographic simulation of Rimmer, a senile AI and a creature which evolved from his pet cat. Their mission: to get back to Earth. Somehow.

As the above precis indicates, Infinity Welcomes Careful Drivers (originally published in 1989) is a spin-off of the British TV series Red Dwarf, published just after the airing of the show's third season. It is not a novelization of the episodes, but can be regarded as sort-of reboot of the format. Creator-producers Rob Grant and Doug Naylor were unhappy with both the small budget given to the show and how that money was spent for the first two seasons; notably, when they took over as showrunners in the third season it took a quantum leap forward in its visual style and quality. When asked by Penguin Books to write a novel based on the series, they leapt at the chance and used the opportunity to write the big-budget SF epic that the BBC's lack of money had denied to them.

The result is something far more interesting than a bog-standard TV novelization. Infinity Welcomes Careful Drivers stands alone very nicely as a solo SF novel, with no foreknowledge of the TV series required. The storylines of several episodes have been reworked into one large over-arcing narrative and the start of the story is very different, with a lot more time spent on the pre-accident Red Dwarf. This allows the writers to flesh out a number of other characters (some new, some recast versions of TV characters) before the accident takes place and they zero in on the characters of Rimmer and Lister.

These two characters are well-established in the TV show, but the authors take advantage of the novel format to really delve into their psyches and get into their internal drives and motivations. Lister benefits from this the most, since as the TV show continued Lister was sometimes sidelined in favour of the more inherently funner character of Rimmer. The Cat also benefits from added material, turning him from a rather one-note character in the first two seasons to a more rounded figure whose alien, non-human characteristics are emphasised. Holly also gets more development, with the reasons for his computer senility made clear (though current editions of the novel drop his ongoing inexplicable hatred of 1970s British footballer Kevin Keegan for legal reasons, sadly).

The novel is cleverly written, using ingredients and events from several episodes to build up a larger storyline. Some jokes are re-used a little too freely from the TV series and there's a couple of spots where the episodic building blocks betray themselves (Lister's determination to go back into stasis until they get back to Earth is handwaved away a little too easily in both the TV series and novel, but in the novel is more jarring given we move into the Nova 5 storyline almost immediately), but overall this works well.

As the novel continues, the more amusing and comic moments start giving way to moments of pathos, even tragedy, which gives the novel more depth than it first appears. It's a very funny book, but it's also one that focuses on character-building and using the humour to illuminate the story and themes. A more disappointing element is that the actual science in the novel is occasionally woeful (the writers' understanding of relativity, breaking the speed of light and, in particular, how long it takes to travel between different star systems at below lightspeed is rather lacking). Given that the TV series, particularly in later series, prided itself in the use of real science to back up the story, the somewhat shoddy application of it here is unfortunate.

Overall, Infinity Welcomes Careful Drivers (****) is a splendid comic SF novel, funny but with real depth of character. The book builds along nicely to a big climax (that riffs heavily on the movie It's a Wonderful Life) and a huge cliffhanger. The novel is available now in an omnibus edition with its sequel, Better Than Life, in the UK and USA.

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#2 User is offline   Werthead 

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Posted 10 July 2011 - 10:36 AM

Book 2: Better Than Life

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Three million years into deep space on the mining ship Red Dwarf, the last human alive, Dave Lister, wants nothing else other than to go home. Instead, he has become trapped in a virtual reality computer game, Better Than Life. In his fantasy he is a resident of Bedford Falls (the town from his favourite movie, It's a Wonderful Life), married to Kristine Kochanski with twin sons. The Cat has his own Gothic castle, where his every whim is attended to by Valkyrie warriors in skimpy underwear and he amuses himself by going dog-hunting on his favourite fire-breathing yak. Service mechanoid Kryten has mountains of washing-up to get done. And Rimmer is a multi-billionaire, married to the most beautiful woman alive and using a time machine to get 'the lads' (General George S. Patton, Julius Caesar and Napoleon Bonaparte) together every now and then so he can beat them at Risk. Outside the game, the AI Holly embarks on a mission to return his IQ to its previous level of 6,000, but unfortunately relies on the advice of a sentient toaster, with catastrophic results.

The problem with the game is that it is almost impossible to escape from, and, eventually it will kill you. However, Rimmer's psyche is so ridiculously self-loathing that he cannot stand to see himself or his friends happy, and it sets out to destroy them...

Better Than Life, published in 1990 when the Red Dwarf TV show was on hiatus for a year, is the follow-up to Infinity Welcomes Careful Drivers and is the last novel written by Rob Grant and Doug Naylor as a team. After this book they concentrated on the TV show for a few years until their writing partnership dissolved in the mid-1990s. They would return with solo Red Dwarf novels further down the line: Naylor's disappointing Last Human in 1995 and Grant's superior Backwards in 1996.

Better Than Life itself is an improvement over the first novel in several areas. First of all, the already-strong characterisation is deeper and more interesting than before, getting into the psyches of these damaged people, laid bare by the game. The contrast between Lister's fantasy, in which he just wants an enjoyable job and a loving family in a happy community, and Rimmer's world of corporate jets, time machines, gorgeous supermodels and a ridiculously huge manhood, is hilariously emphasised, though the Cat is a bit one-note in the book. We have a new character in the shape of the Talkie Toaster ($£19.99 + tax), whom Holly rather unwisely activates to provide him with some companionship. Unfortunately, the Toaster is completely and totally obsessed with force-feeding everyone around him with toast. It's a great gag, but one in the TV series that was wisely used in only a few scenes and then dispensed with. He hangs around for longer in the novel and starts getting annoying but, realising this, the authors do some very funny things with his character to turn this into an asset, and his eventual fate is amusing.

As with the first novel, the authors re-work the plot of several episodes but use them to form a longer narrative. So, as well as the Better Than Life episode itself (which is more of an inspiration than a direct contribution) we get the Polymorph showing up, an interaction with a realm where time runs backwards, Rimmer and Lister being marooned together and having to help each other survive, and a close interaction with a black hole (a white hole in the TV series). Unlike the first book, where the episodic nature of the plot was more obvious, here events are more successfully combined to create a more cohesive story that stands free from the TV series.

Again, there are elements of pathos and tragedy that enter the story, particularly towards the end which is unexpectedly emotional (and then brilliantly subverted in the opening to Backwards, the chronologically-succeeding novel). But Lister learning the eventual fate of Earth and rising to become the leader of an entire community (kind of) is well-handled.

Better Than Life (****½) is a stronger novel than its forebear, cleverer, funnier and more enjoyable than that already-strong book. It is available now in omnibus form with its predecessor in the UK and USA.

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#3 User is offline   McLovin 

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Posted 12 July 2011 - 06:54 PM

I read the first two books, having never seen the series (not available in the US at that time), and I really liked them. Some hilarious dialogue between Rimmer and Lister.

"You can't whack Death on the head."
"If he comes near me, I'll rip his tits off."
OK, I think I got it, but just in case, can you say the whole thing over again? I wasn't really listening.
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#4 User is offline   Solidsnape 

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Posted 14 July 2011 - 01:46 PM

I love Red Dwarf, it's the mutts nuts.
Never read the books though, maybe one day.......


Best quote:

"You can't frighten me!!
I'm a coward, I'm always scared!"
-Rimmer
"If you seek the crumpled bones of the T'lan Imass,
gather into one hand the sands of Raraku"
The Holy Desert
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#5 User is offline   DurhangAddict 

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Posted 14 July 2011 - 07:10 PM

View PostSolidsnape, on 14 July 2011 - 01:46 PM, said:

I love Red Dwarf, it's the mutts nuts.
Never read the books though, maybe one day.......


If you love the show you owe it to yourself to read the books. The shows are great, but the books have so much more detail.
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#6 User is offline   Tsundoku 

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Posted 17 July 2011 - 11:56 AM

I loved the first season of Red Dwarf, which was why I read the first book and then the second when it came out a bit later. The trouble was the books (to me) suffered from what I call "DA/TP disorder" (Douglas Adams/Terry Pratchett), where the author(s) are so overwhelmed with their own cleverness that what should be one-liners or single paragraph segues deteriorate into multiple pages of that's-all-funny-and-well-and-good-but-will-you-please-GET-TO-THE-FUCKING-POINT-ALREADY!

The second TV season onward was just "Meh" for me. I despise Kryten (sp?). :thumbsup:
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#7 User is offline   Rake's Progress 

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Posted 03 May 2016 - 11:57 PM

In regards to the first book in the series, Red Dwarf: Infinity Welcomes Careful Drivers…I absolutely loved this book. I read this book before I even knew there was a TV series...and I haven't laughed so hard and so much in a long time.

I love sci-fi comedies (the good ones are so few and far between)...and found it (I know this is blasphemy) to be far superior to Adam's The Ultimate Hitchhiker's Guide to the Galaxy. The biggest difference...is that Red Dwarf is character-centric comedy, while HG2G is joke-centric. Adams sacrificed his characters for the sake of the joke, while in Red Dwarf...the characters are the joke. It's these brilliantly conceived characters getting themselves into some hilarious situations and reacting according to their respective personalities.

To this day I can't remember much about HG2G's characters or what really motivated them, etc. etc. They were all rather just cardboard pieces that Adams used to spew out jokes at specific times. But I can tell you all about Arnold Judas Rimmer and gazpacho soup...about Dave Lister and his insatiable desire for curry...and the Cat...and Kryten...and you will know the name of Duane Dibley!!

I think the fundamental difference in comedy is in how a particular book/play/movie gets its laughs. A work of comedy can either tickle you into laughter, or move you to laughter. I prefer the latter.

I have always felt Douglas Adams trying to tickle me into laughter. But Red Dwarf always seemed to move me to laughter. Because no matter how much I hate a character like Rimmer...I understand him and so have compassion for his crazed antics, no matter how awful and self-serving they are.

Oh, and the ending of "Infinity Welcomes Careful Drivers"...was just haunting. So unexpected in a comedic work. Excellent book. I highly recommend it.

PS...sorry, didn't mean to rant/gush...i just love this book as well as the second one--Better Than Life
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