BalrogLord, on 08 June 2015 - 07:55 PM, said:
D, on 06 June 2015 - 04:12 PM, said:
Instead the writer added, in addition to all of the above:
look at it this way, dop we really need every little details spoonfed to us? what about the whole go for the ride and make inferences where needed
That only works if the ride is actually interesting. Code Geass certainly had just as many twists and big action scenes as UBW does, but there was also tons of interesting and charistmatic characters, mystery, intrigue, suspense and romance tossed in - and they were all executed well. Fancy action scenes and a fun premise are all well and good, but they're nothing if the characters and story don't sell them, don't make you care about what the results of that action scene are. Geass did it. TTGL did it. Heck, Kekkai Sensen and Assassination Classroom are basically doing it right now, too.
Or look at Magi - a show where the main character and all the villains are constantly pulling off feats that are literally explained away as 'magic', but it works because you don't really care *how* the antagonist can turn someone into a demonic space bat, you care about the character who was turned into a demonic space bat and how the other characters are going to deal with this sudden problem, etc. You get invested in a huge cast with varied capabilities, feelings, allegiances, backgrounds and how they come together is what invests you in the fight scenes, and what makes the out-of-nowhere twists thrilling.
UBW has only two real characters - Shiro and Rin. One of them is more naive than a 4-year old and repeatedly does stupid things that *should* get him killed numerous times (according to what the show and other characters keeps telling the audience) but doesn't. The other is an irrational, bipolar, tsundere stereotype to end all tsundere stereotypes. Every other character has had almost zero screen time and no development other than last-minute blatant exposition before they die. So Shiro and Rin need to carry this show, and they fail miserably at it. Even the romance between them is atrocious, and you'd think that would be pretty high on the studio's priorities given how important it seems to be and how invested they seem to be in following the VN to the letter minus the sex scenes (I presume that's what those magic sperm pods were metaphors for? So subtle...). Dear god I hope the VN had better chemistry than < "I'm going to transfer to you my magic crest. Take off your clothes." *5 minutes of awkward staring* *Rin gently touches Shiro's chest* *magic sperm pods metaphor* *5 more minutes of awkward staring and angry tsundering* fin. >
If it were a better show (and/or source material) you could spend all that time spent desperately trying to explain to the audience that the latest twist
totally makes sense even though there was no foreshadowing or lead up to it at all on actually having likeable characters, some chemistry, and more sensical story-planning than "oh wow, the bad guys sat on their asses for 3 days doing nothing and just so happened to show up at this place at the same time as us!"
I feel like all this "but wait, the Grail is actually cursed! Now let me read to you the wiki article on the events that took place 80 years before now!" is a sign of poor quality. If the writing and characterization were better, there would be no need for the show to feel like it must explain things so rigourously (like the other shows I listed above).
As for just enjoying the ride? Well, IMO, even the fight scenes have not really been that good, except for the Archer-Lancer fight in the first (second?) episode and the Berserker-Sabre fight early on. All the recent ones have been just swing-talk-swing-talk-talk-repeat or shoot-dodge-shoot-dodge-swing-dodge-repeat. Comparing them to Fate/Zero just makes it worse.
In summary, I've definitely been feeling a lot of "This is it? THIS is what everyone has been so hyped up for?" about it and highly suspect the really intense VN fans have been putting too much hype into this one, and it's gotten contagious.
Or maybe I'm just a grumpypants. I finished Kill la Kill last week and didn't think it lives up to its hype either...
The Hust Legion, on 08 June 2015 - 06:55 PM, said:
flicking love shokugeki no soma, its right up my street, bonkers enough to be entertaining and serious enough not to be cringeworthy and also like the fact how they went in a different direction in terms of the episode, seeing yukihira overcome every single damn thing in his path without having his confidence smashed would have gotten stale after a while, but this episode makes things a little interesting.
...but then Shokugei no Souma (and AC, and Arslan, and Kekkai Sensen, ...) has me so excited again that I am convinced I am right!
Yukihira really is pretty overpowered though, isn't he? Looking back, being all rational and all, he seems more invincible than Goku, no? I'd say it's a testament to this show's writing and execution that even though the worst he's had is a single tie, the other chefs still seem like a credible threat. I'm soooo excited for the next episode after his most recent exploit...
Definitely a case of it being more about the fun of the journey than the end, because you pretty much know he's going to win at everything anyways.
Still, it's interesting to look at how they've created that ambience compared to other shows. I think one of the most important differences is that the various rival chefs are not just one-at-a-time challenges, nor even all blatant antagonists. They could have just had him challenge the elite 10 one-by-one, but instead you've got a wide assortment of challengers popping up all over, some of them friendly and on a level playing field while others are more 'evil' and in authority. He hasn't even dueled Erina yet, and she was the first major challenger presented. It's a great structural approach, especially given that the show (or at least the manga) is long - it will avoid the "a new evil appears!" effect at the end of each arc.