Malazan Empire: Why is MoI considered so good? - Malazan Empire

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Why is MoI considered so good? Rate Topic: -----

#21 User is offline   champ 

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Posted 04 May 2010 - 03:17 PM

the scene between Whiskey Jack and Dujek is what did it for me where they're talking about everything happened Pale etc, where SE gives us the first true glimpse into how epic its going to be, how its all connected etc, cemented SE as an author ascendent and top of my must reread/buy first pile!

Tehol said:

'Yet my heart breaks for a naked hen.'
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#22 User is offline   maro 

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Posted 05 May 2010 - 03:44 AM

View PostWhiskeyJackDaniels, on 23 April 2010 - 06:10 AM, said:


-and finally, the biggest teaser of the entire series, finding out there are human armies somewhere that are so badass they destroy two full clans of T'lan Imass


.


I remember the rest but not this bit. Is it related to Korelri?
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#23 User is offline   Sinisdar Toste 

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Posted 05 May 2010 - 04:19 AM

assail, actually
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#24 User is offline   Ulrik 

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Posted 05 May 2010 - 09:45 AM

Assail must be ubersuperbadass... But...if we take whole continent of Seguleh...it shouldnt be so surprising. First Sword was beaten by 3rd...so despite huge losses army of Seguleh-like soldiers should be able to anihilate whole Imass clans.
Yeah, its crappy theory, because medium Imass owns many novice Segulehs, but just imagine that on whole continent is MUCH more people capable of same magic as Mok)... And maybe they have also ubermages...mmm...society where half of them is Seguleh and half Tayscherens...Posted Image
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#25 User is offline   Gothos 

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Posted 05 May 2010 - 10:00 AM

It's true enough that worth is measured by one's enemies. If the badassery on that continent continued to escalate throughout the ages, well, you end up with people that are just a match to each other, but own outsiders. Think Australian animals.
It is not the critic who counts; not the man who points out how the strong man stumbles, or where the doer of deeds could have done them better. The credit belongs to the man who is actually in the arena, whose face is marred by dust and sweat and blood, who strives valiantly; who errs and comes short again and again; because there is not effort without error and shortcomings; but who does actually strive to do the deed; who knows the great enthusiasm, the great devotion, who spends himself in a worthy cause, who at the best knows in the end the triumph of high achievement and who at the worst, if he fails, at least he fails while daring greatly. So that his place shall never be with those cold and timid souls who know neither victory nor defeat.
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#26 User is offline   KeithF 

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Posted 08 May 2010 - 09:59 AM

After that, I'm going to assume that Assail is an up-to-eleven fantastical version of Australia until we hear otherwise. :bs:

T'lan Imass: Greetings, mortal.
Assailian: G'day mate. Have a tinnie while I throw another shrimp on the barbie.
T'lan Imass: Sadly, I can neither eat nor drink. This is a source of a hundred thousand years of angst to me.
Assailian: A bloke who doesn't drink beer? Get 'im, boys.
I think malazan is a pretty cool guy. eh kills well-loved characters and doesn't afraid of anything.
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#27 User is offline   Powder 

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Posted 09 May 2010 - 01:04 AM

ATTN those who do not like Karsa:

WITNESS!

(Did it give you goosebumps, yea I thought it would, stop your h8)

-Powder
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#28 User is offline   D'rek 

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Posted 10 May 2010 - 06:47 PM

Well I actually like HoC more than MoI, but truly I just love them both to death.

View Postworrywort, on 14 September 2012 - 08:07 PM, said:

I kinda love it when D'rek unleashes her nerd wrath, as I knew she would here. Sorry innocent bystanders, but someone's gotta be the kindling.
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#29 User is offline   maro 

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Posted 11 May 2010 - 02:05 AM

View PostKeithF, on 08 May 2010 - 09:59 AM, said:

After that, I'm going to assume that Assail is an up-to-eleven fantastical version of Australia until we hear otherwise. :D

T'lan Imass: Greetings, mortal.
Assailian: G'day mate. Have a tinnie while I throw another shrimp on the barbie.
T'lan Imass: Sadly, I can neither eat nor drink. This is a source of a hundred thousand years of angst to me.
Assailian: A bloke who doesn't drink beer? Get 'im, boys.


:kallor:
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#30 User is offline   HegemonWiggin 

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Posted 12 May 2010 - 03:41 PM

For me, because the tragedy of it is so heartbreaking wonderful. Everything in it seems almost symphonic, every note in place. A number of authors try to do tragic brutal irony and fail miserably because you it does not seem sufficiently inevitable; if the irony is due to a character being dumb, you just want to hit them. Robert Jordan is the epitome of this. things screw up, it could almost be emotional, except you see innumerable ways out of it and so you just want to hit Jordan for contriving the situation. Others manage dark irony without the emotional impact (e.g. Glenn Cook), but very few can pull the irony and the emotional impact at the same time. I suppose George Martin kinda manages that, but I don't like his writing very much, so I don't want to admit it. And then Erikson is the only one I've seen who takes the brutality, the death and horror, and makes it human again, makes it understandable, restores meaning to his world.

With all of that said, you can see why the siege of Capustan and Itkovian is singly my favourite passage of any novel. Self-sacrifice and altruism married to empathy and compassion, all to restore hope to utter devastation. Then punctuated with that wonderful image of Buke flying away; it's like a grace note. I've reread that section many times, and then just want to read a little bit more and end up finishing the book again.

The Mhybe is annoying, yes. I can see more wh y she was put in on rereads, but I don't like her. I did like almost all of the plotlines. As others have said, it is what epic fantasy should be all about. There's a grandeur to the Tiste Andii, a grandeur to people so nobly struggling to make some meaning and do something right in the truly horrific circumstances they've been placed in. Even Whiskeyjack killing the Tenescowri women... there's a grand tragedy to it. Almost classical, mythological, but nevertheless modern.

Then there's just the moments of pure awesome, the discovery of the world, the tantalizing glimpses of where the series might go, all from the perspective of characters who we're comfortably familiar with.
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#31 User is offline   Hellian's Keg Lid 

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Posted 12 May 2010 - 08:55 PM

Not specific to MoI but I love that the "go-team" of deities has been turned around in this series - Shadow, Darkness, Death are the ones out saving the world, or planning to, and generally everything fire, light, or life aspected is an asshole (T'lan, Liosan, QoD I'm looking at YOU).

It was definitely the book to get me hooked after Chain of Dogs though, for all the amazing reasons listed by everyone else :)
Learn from yesterday, live for today, hope for tomorrow.
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