Second note: I've only just gotten to the part where Kulp/Duiker have escaped the start of the Whirlwind. I was told this volume picked up from the last one: maybe, but so far, it hasn't picked up enough.
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An ongoing problem of this series - and I guess fantasy in general - is the similarity of the average fictional character's attitude towards what we would call "supernatural" to our own - they seem to be as surprised as we would be when confronted with the sorts of things that seem to happen all the time in their universe: the most snort-inducing moment of this kind, for me, being during the Felisin/Heboric/Baudin-in-chains sequence, when the Hood-priest turns out to have been made entirely of flies instead of just covered in them - and everyone is really surprised and horrified: "(Heboric) flinched as if struck, his eyes wide. From across the Round half a dozen guards cried out, wordless sounds punched from their throats. Chains snapped as others in the line jolted as if to flee (...) 'now that,' (Heboric) shakily muttered, 'was uncalled for.' (...) the mystery, shock and horror of Hood's priest sank down within Felisin (...)."
Guys, you could have seen a demon fistfight a dragon a few chapters ago - as well as a building grow out of a tree stump and suck in a possessed person shooting fireballs: also, a random cadre mage (Kulp) can generate multiple people-sized holograms with apparent artificial intelligence and collision detection with real objects (during Coltaine's training sequence, and during the escape from the Whirlwind Army's High Mage): "flies that walk like a man" should be about as shocking to people in the Malazan universe as warped sound on a water damaged VHS recording would be to us.
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A corollary to this lack of recognition that the supernatural is common in their universe is a failure to plan for it: Kalam is confident that he can protect himself when meeting the Whirlwind Queen (whatever her name is) - until he's pulled off his horse and has his face smashed into sand (sidenote: that's pretty hardcore - try it yourself), muttering "sorcerous silence" as if that would have been any excuse even if it had been true - when you live in a world full of crazy sorcery, failing to plan for it doesn't save you any Life Skills points.
The Whirlwind Queen's plan to conduct the starting ceremony (whatever) on the open plain, with two fighty-guys at her side, was - obviously - slow-child-level worthless: the Red Guard's assassination plan - "use one crossbow bolt on the person who matters, then kill the guards face to face" was also slow-child-awful, and makes exactly as much sense as Lee Harvey Oswald charging the JFK motorcade with brass knuckles *after* having made his (alleged!) lethal shot.
Are you trying to save ammo? Either shoot the now-irrelevant guards the same way as the leader, or just leave them - who cares? (This last conclusion being the one the RG leader also came to - *after* losing a bunch of her own people).
It seems the Whirlwind Lady may have planned for this, or incorporated it, or whatever - she realises that it doesn't matter if she lives, or even opens the book, I don't know - but whatever vindication of her crafty intentions eventually surfaces, to just hang out, exposed, at night, in a world where demons are kept in glass hip flasks and windows are reassembled with handwaves is ... just ... meaningless. Dream logic. Sub-absurd.
This also leads into the fact that all the important events in this world appear to depend on a moderate-sized conference room's worth of people: Kalam just happens to wander past the guy about to send the book central to an entire continent's (?) theology/revolution, and takes it along with him (even while planning to invalidate it with his other plans? Memory hazy, here). Massive world events casually settle on the characters who've already been central to other massive events - you could say that this universe is put together in such a way that plot events tend to gravitate to those who've been the centre of other plot events - but this particular kind of magic is interchangeable with convenience for the writer.
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I've noticed that Rake is a popular character on these forums - I thought he was okay, if a bit "dark elf/vampire"-ish for my taste - until I found the "White Haired Pretty Boy" entry on TVtropes:
http://tvtropes.org/...HairedPrettyBoy
"Despite the wide range and use of Hair Colors for characters, there's an eerie specificity to the use of white (silver works too, but not blonde) hair when coupled with a handsome, vaguely effeminate character. The (usually long and rarely tied back) white hair is very frequently coupled with red eyes. This character will never be as morally set in his ways (...) Expect a White-Haired Pretty Boy to have a good share of fangirls, or even be subjected to Misaimed Fandom."
Replace "red" with "rainbow" and Rake appears to be the result of a quick game of genre madlibs.
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On the plus side, I think I've figured out what I liked about SE's writing style (which does flow better in this volume than in GotM): he puts backstory/infodumping right into the description - saving word expenditure on both.
On the down side, I seem to have to actually sound out his sentences inside my head to digest them on the first try. I don't have this problem with other books (I love the late David Foster Wallace's stuff, for instance) and I don't think I'm a bad reader - but something about SE's word choice or grammatical construction routinely loses me partway to the next period unless I carefully sub-verbalise them - as if he were writing in Spanish.
To give two examples of basically harmless but weird word-arrangements: Kalam, while riding to deliver the Whirlwind book, is said (I think twice) to "kick his horse into a canter": I know what this actually means, but every time I read it, I flashed to a mental image of him getting off the horse, standing next to it, swinging his boot into its side, and watching as it arced weightlessly through the air (like an empty soup can) into a special kind of desert crater called a "canter."
This, uh, harmed my immersion.
The second odd expression: "x *held at bay* the forces of y." This is also used twice - why not "x held the forces of y *at bay*?" I'm not sure which is more correct, but his version just sounds weird.
Overall, I just don't find that the prose goes down smoothly: it's like a milkshake packed with sawdust.
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I was surprised by the gruesomeness of DG- sliding beds (spears in armpits/inner thigh joints), Felisin's lifestyle, Baudin's chain-decapitation of the next person on the chain: if I'm going to read horrific stuff, I'd like to get the feeling that I'm getting a wider view of the human condition (for instance - Natsuo Kirino's "Out" - study of Japanese women's reasons for doing horrific things, highly recommended).
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Overall, I guess my main problem continues to be the perfunctory reactions of people to massive events in their lives: Felisin seems to have adopted free distribution of sexual favours as her sole means of getting by in life - so why was she so unshocked to get deformed by bloodflies? Even a while after it happens, and has apparently gotten worse ("the flesh in her mouth had closed over the teeth"), she's described as being inured to it and past embarrassment - again, remember the Kubler-Ross stages of grief: you can't just skip your characters to "not giving a damn" and expect me to believe that they're real.
She is shown, though, to be upset at the idea that Beneth is dead - I just don't buy that she was that uniquely attached to the guy: it seems SE wanted to make a point about battered women/Stockholm syndrome, but didn't get into her psychology enough to work out a convincing reaction for her to having had her one bartering chip in life (tradable hotness) probably taken away (at least temporarily).
Also - shouldn't a wizard have cast a "make bloodflies extinct" spell by now? Or made a bestselling line of "bloodfly repellent" magic amulets, or something? Crypto-locusts that plant maggots in dead pockets of flesh, deforming/killing dozens/hundreds (?) of people in seconds - are, uh, a pretty big problem. Like airborne AIDS. What would Kalam have done, for instance, if they'd randomly swarmed him and his horse as he was transporting the Whirlwind book? There's no mud in a desert. What would the city of Skullcup have done if bloodflies had randomly swarmed it earlier - mostly die? Couldn't a wizard just spray bloodflies out of their free teleporters [warrens, as described when Coltaine says the High Fist could easily teleport over to check on his forces] as a foolproof assassination/genocide method, anytime?
Or, for instance: why don't gangs employ one wizard to make bloodfly protection amulets, sell them at a massive price to villagers, then teleport bloodflies into the city? Just this one creature demonstrates that a world with such a low threshold to gain massive leverage over people would probably not have durable "Empires" - the unsupervised, anarchic magic everywhere is too chaotic: for an in-book example, a small group of Bridgeburners think they have a good chance at assassinating Laseen? I'm sure they do, but it also looks to me like any yahoo with a magic spell has a good shot at it - infinitely moreso if they're okay with being killed afterwards.
Declaring yourself Emperor/Empress in their universe, and trying to push people around (i.e., giving insectoid aliens a few minutes to slaughter innocent villagers, as in Pale) would be like mooning a massive crowd when every member of it hates you and has a sniper rifle/nuke/biochem weapon, etc.
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Well, thanks if you've read me whine about something you like this far, but I don't really know what response I'd like: I don't mean to flame/annoy anybody, just airing my irritation - much of which remains from my post about GotM, just curdled and unimproved. RAFO only works for so long: I'm RAFOing as hard as I can, and am just stumbling over new chunks of dream logic and shallow character reactions without any past ones being settled/explained. I was under the impression that this book RAFOed the last one: does that only take effect in chapter 16, or something? Because I feel significantly sub-RAFOed: keep banging your head on this concrete wall and eventually it'll feel great, etc... definition of insanity: same action, different result-expectations, etc...
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ETA: just noticed the GotM thread I started continues into this forum - awesome, but I can't participate since I'm still mildly averse to spoilers past the Duiker's-escape-from-Whirlwind point.
So, uh, please consider my whining to occur only in the shallow end of this forum.
This post has been edited by George Awesome: 24 January 2010 - 01:50 AM

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