Political Views in Fantasy
#21 Guest_Baeraad_*
Posted 30 January 2006 - 08:04 PM
I would say that fantasy, in its usual form, is probably not very suitable for discussing politics in, but it is almost ideal for discussing political philosophy in. You know, less "what is the best way to uphold a free and democratic society?" and more "what is 'free,' what is 'democratic,' and in which ways, if any, are they different?", if you see what I mean...
I consider fantasy to have untold potential for philosophy, since it's so easy to handle symbols and metaphores in it - ideas and concepts can be given champions and avatars in fantasy in a much more concrete way than in other fiction. Erikson makes use of this, to some extent. So does Scott Bakker and Stephen Donaldson, though I can't at the moment recall any other philosopher-fantasists (a pity, that).
Goodkind, of course, completely fails on all accounts. First of all because he does indeed deal with politics and not political philosophy, and secondly because his magic and his message are completely unrelated. His magicians aren't symbols of anything - they're just clichéd fireball-throwing D & D refugees with a taste for spouting ill-formed opinions.
I consider fantasy to have untold potential for philosophy, since it's so easy to handle symbols and metaphores in it - ideas and concepts can be given champions and avatars in fantasy in a much more concrete way than in other fiction. Erikson makes use of this, to some extent. So does Scott Bakker and Stephen Donaldson, though I can't at the moment recall any other philosopher-fantasists (a pity, that).
Goodkind, of course, completely fails on all accounts. First of all because he does indeed deal with politics and not political philosophy, and secondly because his magic and his message are completely unrelated. His magicians aren't symbols of anything - they're just clichéd fireball-throwing D & D refugees with a taste for spouting ill-formed opinions.
#22 Guest_bluesman_*
Posted 30 January 2006 - 08:27 PM
About Rand. It was just an example
.
The point there was that she was using that setting to explain something she believed in. But there was never any misunderstanding that it was metaphoric
It doesn't matter if it's pro capitalistic, communistic, environmentalistic, centristic or somethingelseistic. I personally feel it would be hard to relate to anything the author wants to say if it took place in a fantasy world (ie a place which doesn't even follow the same physical laws as Earth).
Meiville is a good author but I see it more like he wants to use real World politics inside his fantasy world, rather than trying to educate the reader about his views.
Maybe I misunderstand the word political here? I see a political book as something meant to stir debate or forward an idea IRL.
1984 is of course the most perfect use of futuristic elements, to forward the most powerful political statement in any book written last century. (at least that's the effect it had on me)
Goodkind is still a bad example at any rate. His main problem is that he writes badly, and I mean technically writes badly. Noone makes any greater impact that way.
bm

The point there was that she was using that setting to explain something she believed in. But there was never any misunderstanding that it was metaphoric
It doesn't matter if it's pro capitalistic, communistic, environmentalistic, centristic or somethingelseistic. I personally feel it would be hard to relate to anything the author wants to say if it took place in a fantasy world (ie a place which doesn't even follow the same physical laws as Earth).
Meiville is a good author but I see it more like he wants to use real World politics inside his fantasy world, rather than trying to educate the reader about his views.
Maybe I misunderstand the word political here? I see a political book as something meant to stir debate or forward an idea IRL.
1984 is of course the most perfect use of futuristic elements, to forward the most powerful political statement in any book written last century. (at least that's the effect it had on me)
Goodkind is still a bad example at any rate. His main problem is that he writes badly, and I mean technically writes badly. Noone makes any greater impact that way.
bm
#23
Posted 30 January 2006 - 09:08 PM
Goodkind does have his supporters on this forum. I suspect they stay carefully silent on this topic, given the mass of dislike otherwise present, but let us face facts, he DOES sell books. LOTS of them. More than SE, as mysterious as that may be.
He also makes my eyes bleed. But that's just me.
- Abyss, dammit, my contact lens!
He also makes my eyes bleed. But that's just me.
- Abyss, dammit, my contact lens!
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#24 Guest_bluesman_*
Posted 30 January 2006 - 10:13 PM
But he's no way near the sales of Barbara Cartland.
Now read this.
She's written over 700 books and sold over....1.000.000.000 of them.
How's that for quality? I wonder if she ever wrote any political books? lol.
Unfortunatelly. Crap sells.
Now that
Now read this.
She's written over 700 books and sold over....1.000.000.000 of them.
How's that for quality? I wonder if she ever wrote any political books? lol.
Unfortunatelly. Crap sells.
Now that
#25 Guest_pwilletts_*
Posted 30 January 2006 - 11:38 PM
Well while reading Steven Erikson's first book of the Malazon Empire he copies the idea about the ways from the Wheel of Time. Don't try and say that Jordan got the idea from Erikson because teh Wheel of Time was published in 1990 and Erikson's in 1999. Does criticize Goodkind for possibly copying Jordan when Erikson does it to.
#27 Guest_Harold Bloom_*
Posted 31 January 2006 - 01:09 AM
pwilletts said:
Well while reading Steven Erikson's first book of the Malazon Empire he copies the idea about the ways from the Wheel of Time. Don't try and say that Jordan got the idea from Erikson because teh Wheel of Time was published in 1990 and Erikson's in 1999. Does criticize Goodkind for possibly copying Jordan when Erikson does it to.
I like your style of grammar! By chance are you an e.e. cummings fan?
Erikson may have first come across the idea of dimensional pathways from sword and sorcery writers like Karl Edward Wagner (Erikson cites Wagner as an influence.) I came across similar concepts when reading Wagner's The Dark Crusade which was published in 1976. Nine Princes of Amber by Roger Zelazny (another influence) also has similar concepts though not quite as similar as those of Wagner. Nine Princes of Amber was published back in 1970.
#28
Posted 31 January 2006 - 11:27 AM
I'm quite surprised no-ones mentioned China Mieville yet as an example of an author showing his beliefs without ruining his work (in my opinion).
He's strongly socialist (stood as a candidate for the British Socialist Part at the last elections, I believe), and you can tell so from his books, but he doesn't force it down the readers throat, and he certainly doesn't preach.
He's also like a lnon-reprehensible Goodkind in his attitude to fantasy. He sees a problem with a lot of the writing and is clearly, especially with PSS, writing as a reaction to Tolkien and his rip-offs, but he doesn't ever claim he's the saviour of fantasy and is quite willing to get into debates about his own work.
Interesting debate on http://crookedtimber...ng-iron-council with him involved.
He's strongly socialist (stood as a candidate for the British Socialist Part at the last elections, I believe), and you can tell so from his books, but he doesn't force it down the readers throat, and he certainly doesn't preach.
He's also like a lnon-reprehensible Goodkind in his attitude to fantasy. He sees a problem with a lot of the writing and is clearly, especially with PSS, writing as a reaction to Tolkien and his rip-offs, but he doesn't ever claim he's the saviour of fantasy and is quite willing to get into debates about his own work.
Interesting debate on http://crookedtimber...ng-iron-council with him involved.
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#29 Guest_bluesman_*
Posted 31 January 2006 - 12:28 PM
Maybe someone doesn't read replies? He's mentioned at least 3 times in this thread
.
Meiville is an example of the "using real world politics inside a fantasy world" rather than "using a fantasy world to promote some political idea" case.
bm

Meiville is an example of the "using real world politics inside a fantasy world" rather than "using a fantasy world to promote some political idea" case.
bm
#30 Guest_Harold Bloom_*
Posted 31 January 2006 - 12:46 PM
Gulliver's Travels and Animal Farm are worth a read.
#31
Posted 31 January 2006 - 12:54 PM
bluesman said:
Maybe someone doesn't read replies? He's mentioned at least 3 times in this thread
.
Meiville is an example of the "using real world politics inside a fantasy world" rather than "using a fantasy world to promote some political idea" case.
bm

Meiville is an example of the "using real world politics inside a fantasy world" rather than "using a fantasy world to promote some political idea" case.
bm
>_> How embarassing.
I read them too.
I can't carry it for you, but I can carry you.
#32 Guest_bluesman_*
Posted 31 January 2006 - 02:18 PM
I was more bothered by his detailed descriptions of homo copulation than his politics in Iron Council, not the concept but the details. Just a tad too much imho.
bm
bm
#33
Posted 31 January 2006 - 03:26 PM
Frankly, I was more bothered by the six or so chapters of BDSM in Goodkind's Wizard's First Rule than by anything in Iron Council.
- Abyss, seriously, ok, he's being tortured, we get it... oh god, another chapter... there goes those bleeding eyes again...
- Abyss, seriously, ok, he's being tortured, we get it... oh god, another chapter... there goes those bleeding eyes again...
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#34
Posted 31 January 2006 - 03:43 PM
Writing a book could itself be considered a political act - in the Lacanian sense where everything is political. It's also impossible to write any novel at the kind of scale that epic fantasy writers usually employ without the political creeping in. For example; Tolkien's personal politics are all over LotR like a rash.
If an opinion contrary to your own makes you angry, that is a sign that you are subconsciously aware of having no good reason for thinking as you do. If some one maintains that two and two are five, or that Iceland is on the equator, you feel pity rather than anger, unless you know so little of arithmetic or geography that his opinion shakes your own contrary conviction. … So whenever you find yourself getting angry about a difference of opinion, be on your guard; you will probably find, on examination, that your belief is going beyond what the evidence warrants. Bertrand Russell
#35
Posted 31 January 2006 - 04:16 PM
stone monkey said:
For example; Tolkien's personal politics are all over LotR like a rash.
That's exactly what I was going to say! Any author's political views are going to come out, in some extent, in their writing. See the language and thought thread on the DB. The difference is JRRT let the book speak for itself, whereas TG feels the need to expound on his libertarian philosophy every chance he gets. Worse, he gets very condescending and defensive about it too. He treats any question as an implicit attack. From what I read of his life, TG grew up with a learning disability and I think his schoolmates and teachers were somewhat less than understanding about it. So now that he is a successful author (and you gotta give him that - he has succeeded), he has developed this arrogance to show the world that they were wrong about him. That's my armchair psychoanalysis, anyway.
OK, I think I got it, but just in case, can you say the whole thing over again? I wasn't really listening.
#36 Guest_bluesman_*
Posted 31 January 2006 - 06:15 PM
And yet Tolkien made clear that any metaphors were unintentional. As far he was concerned it was a story, nothing more nothing less.
I thnk he said repeatedly that he wasnt trying to promote any agenda or idea.
bm
I thnk he said repeatedly that he wasnt trying to promote any agenda or idea.
bm
#37
Posted 31 January 2006 - 06:31 PM
Perhaps they were unintentional, but that's the point. They come out whether you (as an author) intend them to or not. Tolkien was a known technophobe in real life (eg, before recording readings of his works, he would chant the Lord's prayer in Gothic to bless the recorder), and his anti-technological position comes out in LOTR through the Ents' attack on Orthanc.
OK, I think I got it, but just in case, can you say the whole thing over again? I wasn't really listening.
#38
Posted 31 January 2006 - 07:39 PM
Tolkien wasn't fond of technology but also admitted that progress could not be turned back and admitted these things had practical value. He hated the internal combustion engine above all other things, yet owned a car at two different points in his life (including his final years). He only did the Lord's Prayer in Gothic into a tape recorder once and later on bought his own recorder to make short plays with. So Tolkien had a more pragmatic attitude to his philosophy/ideology than many others seem to.
The Warrens and Ways are fairly different. You could argue that the Warrens are more lifted from the Outer and Inner Planes in D&D with magic attached to them, but even then there are key differences.
The Warrens and Ways are fairly different. You could argue that the Warrens are more lifted from the Outer and Inner Planes in D&D with magic attached to them, but even then there are key differences.
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#39
Posted 31 January 2006 - 07:49 PM
polishgenius said:
I'm quite surprised no-ones mentioned China Mieville yet as an example of an author showing his beliefs without ruining his work (in my opinion).
He's strongly socialist (stood as a candidate for the British Socialist Part at the last elections, I believe), and you can tell so from his books, but he doesn't force it down the readers throat, and he certainly doesn't preach.
He's also like a lnon-reprehensible Goodkind in his attitude to fantasy. He sees a problem with a lot of the writing and is clearly, especially with PSS, writing as a reaction to Tolkien and his rip-offs, but he doesn't ever claim he's the saviour of fantasy and is quite willing to get into debates about his own work.
Interesting debate on http://crookedtimber...ng-iron-council with him involved.
He's strongly socialist (stood as a candidate for the British Socialist Part at the last elections, I believe), and you can tell so from his books, but he doesn't force it down the readers throat, and he certainly doesn't preach.
He's also like a lnon-reprehensible Goodkind in his attitude to fantasy. He sees a problem with a lot of the writing and is clearly, especially with PSS, writing as a reaction to Tolkien and his rip-offs, but he doesn't ever claim he's the saviour of fantasy and is quite willing to get into debates about his own work.
Interesting debate on http://crookedtimber...ng-iron-council with him involved.
Mieville has been mentioned - at least twice. But he is quite a good example in this, and that's basically what I said (it enhances his books, it's clearly there, but unlike Goodkind, it isn't a manifesto in disguise). That was a pretty good debate (if quite a lot to read).
#40
Posted 02 February 2006 - 11:45 PM
pwilletts said:
Well while reading Steven Erikson's first book of the Malazon Empire he copies the idea about the ways from the Wheel of Time. Don't try and say that Jordan got the idea from Erikson because teh Wheel of Time was published in 1990 and Erikson's in 1999. Does criticize Goodkind for possibly copying Jordan when Erikson does it to.
Actually, for one we know that though it was not published until 1999, the book was written what, eight years before? And before that, it was a screenplay, so the whole thing is fairly muddy..
However, Erikson accepts that he has been influenced by other authors. Goodkind's shameless copying of WoT is made a lot worse by the fact that he refuse to admitt he has even read the books. The difference here is huge.
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