Posted 11 April 2016 - 08:55 PM
Andorion, on 11 April 2016 - 02:44 AM, said:
EmperorMagus, on 11 April 2016 - 02:26 AM, said:
Andorion, on 10 April 2016 - 01:50 PM, said:
Oh I see. Yeah, we have lots of rules here as well but I read poetry differently. I never focus on the verse structure, but rather on the language, imagery and emotion the poet is trying to convey
Well, verse structure is a very important part of the linguistic value of a poem, if it isn't correct, the poem is just a piece of text.
I do care about the imagery and emotion as well, but unless the linguistic content is there, I don't enjoy those parts at all.
However, this is my opinion and it isn't meant to reflect on English poetry in a negative way at all.
Hey its cool. Taste in these things is quite subjective. I think my own aversion to structured verse may come from being forced to read rigid and stylised Bengali poetry in school. The language can be very irritating if you find most of the literature boring and I did.
Farsi of course has a far larger canon right? My SO was learning Persian last year and she mentioned how tough it was as meanings of words were very context specific
I'm guessing what you're referring to here is
meter and it can be extremely important when talking about poetry(or not at all, depending on both poem and poet); Robert Graves, famous "Fire and Ice" relies for much of its effect on its meter imo, as does (in an entirely different way) Ted Hughes, "Thrushes".
The words are obviously important, but how you deploy them - their rhythm as well as their rhyme - is equally so, I would say.
And that's not even getting into the use of techniques like alliteration or assonance.
This post has been edited by stone monkey: 11 April 2016 - 09:01 PM
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