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Ultimately epic fantasy is traditionally a conservative genre, in spite of the recent trends to spice up the genre with grit and subversion. Generally, monarchies or other essentially authoritarian governments rule and even the good guys fight for such institutions. Good and evil is typically laid out in recognizable form (in spite of the shades of gray so often used). But I feel what makes epic fantasy most conservative is that it is typically infused with some form of nostalgia that looks backward in time rather than forward. It’s that nostalgic, backward look that brings the comfort to so many readers that generally seeking an entertaining escape. And I’m not condemning that, as it’s more or less the same goal I have in my own reading.
Durham blends his form of epic fantasy with the nostalgic backward look but infuses the societies of his world with our own world’s current and past issues in a much more realistic and applicable form than seen in typical epic fantasy. Nationalism, racism, drug addiction, slavery, corrupt government, outside interests controlling government affairs, the rich and elite immune to the troubles of the common person, etc. In Durham’s world the Acacia Kingdom (though really it’s more of an empire) rules by addicting its population to drugs to keep it pacified as children are sold into distant slavery. This leads its leaders into various ways of dealing with their guilt – drug addiction of their own, inspired yet unrealistic idealism, or corrupt certainty that they are only doing bad things because it’s what’s best for the people whether they know it or not.
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All in all, The Sacred Band and the Acacia Trilogy as a whole is a wonderful breath of fresh air. It has all the cool sense of wonder that great fantasy can have – unique and weird animals, dragons (of a sort), magic, mad sorcerers, a corrupt powerful queen, an idealistic prince, a warrior princess, and a dashing brigand. Each deals with their place in realistic ways that serve to transcend the cliché. And the action and setting are just what fantasy fans look for. It’s a really well put together work and a satisfying conclusion to an often underrated trilogy.
Full Review
Durham blends his form of epic fantasy with the nostalgic backward look but infuses the societies of his world with our own world’s current and past issues in a much more realistic and applicable form than seen in typical epic fantasy. Nationalism, racism, drug addiction, slavery, corrupt government, outside interests controlling government affairs, the rich and elite immune to the troubles of the common person, etc. In Durham’s world the Acacia Kingdom (though really it’s more of an empire) rules by addicting its population to drugs to keep it pacified as children are sold into distant slavery. This leads its leaders into various ways of dealing with their guilt – drug addiction of their own, inspired yet unrealistic idealism, or corrupt certainty that they are only doing bad things because it’s what’s best for the people whether they know it or not.
...
All in all, The Sacred Band and the Acacia Trilogy as a whole is a wonderful breath of fresh air. It has all the cool sense of wonder that great fantasy can have – unique and weird animals, dragons (of a sort), magic, mad sorcerers, a corrupt powerful queen, an idealistic prince, a warrior princess, and a dashing brigand. Each deals with their place in realistic ways that serve to transcend the cliché. And the action and setting are just what fantasy fans look for. It’s a really well put together work and a satisfying conclusion to an often underrated trilogy.
Full Review